All Hercules Seghers Oil Paintings

1590-1638 Dutch Hercules Seghers Gallery Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear).
 

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Hercules Seghers View of Rhenen oil on canvas


View of Rhenen
View of Rhenen
Painting ID::  89086
  between 1625(1625) and 1630(1630) Medium oil on oak cyf
  between 1625(1625) and 1630(1630) Medium oil on oak cyf

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Hercules Seghers Landscape with City on a River oil on canvas


Landscape with City on a River
Landscape with City on a River
Painting ID::  89089
  between 1627(1627) and 1629(1629) Medium oil on oak cyf
  between 1627(1627) and 1629(1629) Medium oil on oak cyf

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Hercules Seghers View of Brussels from the North-East oil on canvas


View of Brussels from the North-East
View of Brussels from the North-East
Painting ID::  91048
  1625 Medium English: Oil on oak, 24,5 x 39 cm Dimensions English: 24,5 x 39 cm cyf
  1625 Medium English: Oil on oak, 24,5 x 39 cm Dimensions English: 24,5 x 39 cm cyf

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Hercules Seghers Panoramic landscape oil on canvas


Panoramic landscape
Panoramic landscape
Painting ID::  93249
  circa 1625 (1615-1635) Medium oil on canvas mounted on panel Dimensions 29.3 x 45.7 cm (11.5 x 18 in) cjr
  circa 1625 (1615-1635) Medium oil on canvas mounted on panel Dimensions 29.3 x 45.7 cm (11.5 x 18 in) cjr

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     Hercules Seghers
     1590-1638 Dutch Hercules Seghers Gallery Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear).

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